The temple takes the anatomy of the agent of Surya (Arka), the sun god, and is heavily busy with bean carving. The absolute circuitous was advised in the anatomy of a huge agent fatigued by six active horses on twelve pairs of alluringly busy wheels.
The access is attentive by two behemothic lions, which are anniversary apparent crushing a war elephant. Anniversary albatross in about-face lies on top of a animal body. The temple symbolizes the majestic stride of the Sun god. At the access of the temple is a Nata Mandir. This is area the temple dancers acclimated to accomplish dances in admiration to the Sun god. All about the temple, there are assorted floral and geometric patterns.The temple is now partly in ruins, and a accumulating of its sculptures is housed in the Sun Temple Museum, which is run by the Archaeological Survey of India. The artist Rabindranath Tagore wrote of Konark: "here the accent of bean surpasses the accent of man."
The Sun Temple, congenital in the thirteenth century, was conceived as a gigantic agent of Sun God, with twelve pairs of alluringly bizarre auto pulled by seven pairs of horses. Majestic in conception, this temple is one of the best abstract monuments of India, acclaimed as abundant for its arty ambit and faultless accommodation as for the adapted affiliation of architectural amplitude with artificial allegiance. Every inch of the temple is covered with carve of an incomparable adorableness and grace, in tableaux and freestanding pieces alignment from the awe-inspiring to the miniature. The accountable amount is fascinating. Thousands of images accommodate deities, angelic and animal musicians, dancers, lovers, and countless scenes of adulatory life, alignment from hunts and aggressive battles to the pleasures of adulatory relaxation. These are interspersed with birds, animals (close to two thousand absorbing and active elephants advance about the abject of the capital temple alone), fabulous creatures, and a abundance of intricate botanical and geometrical adorning designs. The acclaimed jewel-like affection of Orissan art is axiomatic throughout, as is a actual animal angle which makes the carve acutely accessible.